While TED launched its City 2.0 prize last week to crowd-source tools for the next version of the city, I’ve been enjoying TED talks of several fellow urbanists who have been putting forth tools and ideas for making better places. The City 2.0 wish is stated as:
I am the crucible of the future.
I am where humanity will either flourish or fade.
I am being built and rebuilt every day.
I am inevitable. But I am not yet determined.
I wish to be inclusive, innovative, healthy, soulful, thriving. But my potential can only be reached through you.
By the early to mid 1970s, something was wrong with rock and roll.
It no longer fought the system. Worse than that, it had become the system. Bloated. Detached. Pretentious.
Performer and audience, once fused in a mutual quest to stick it to the man, now existed on separate planes — an increasingly complacent generation sucked into the service of pomp and circumstance. And the shared experience of joyful rebellion? Replaced by pompous, weed-soaked, middle-earth mysticism.
Rock and roll needed to get back to basics. What country pioneer Harlan Howard characterized as “three chords and the truth.” Enter punk rock.