Snagging Gen-Y: Do Facebook ads work in public engagement?

Having worked in communities big and small across the continent, we’ve had ample opportunity to test ideas and find approaches that work best. Urban design details. Outreach tactics. Implementation tricks. Many of these lessons are transferable, which is why we’ve created “Back of the Envelope,” a weekly feature where we jot ’em down for your consideration.

For those looking to expand public engagement and collaborative process at the community level, this week presents a curious convergence of news and ideas. Setting the stage was CNU20’s “Charrettes and the Next Generation of Public Involvement,” an afternoon breakout session exploring a fairly provocative (for New Urbanists) question: In this era of limited resources, is the traditional charrette still a viable model of engagement and collaborative design and, if not, can it be retooled for relevance?

Punk Rock and the New Urbanism: Getting back to basics

By the early to mid 1970s, something was wrong with rock and roll.

It no longer fought the system. Worse than that, it had become the system. Bloated. Detached. Pretentious.

Performer and audience, once fused in a mutual quest to stick it to the man, now existed on separate planes —  an increasingly complacent generation sucked into the service of pomp and circumstance. And the shared experience of joyful rebellion? Replaced by pompous, weed-soaked, middle-earth mysticism.

Rock and roll needed to get back to basics. What country pioneer Harlan Howard characterized as “three chords and the truth.” Enter punk rock.